Set against the backdrop of New Jersey’s Circassian community, a teenager helps out in his family’s struggling diner specializing in Circassian cuisine. When he’s not working at the restaurant, he’s training to become a professional wrestler. After one of his father’s misguided schemes goes wrong, he is forced to take on board his father’s failings as he finds himself confronted with a violence that will force him to grow up faster than he would like.

英国的Channel 4电视台已经确认开发来自制作人Arash Amel的剧集《Butterfly》，Bo Odar也已确认执导该剧的试映集。这一项目改编自由Arash Amel原创的漫画书，并将由Amel以及漫画书作者Marguerite Bennett撰写。 《Butterfly》被描述为一部带有地理政治学元素的悬疑片，设定于一现代全球争端的背景之下。女主角Rebecca Faulkner（绰号Butterfly）是一位卧底美国间谍，却被陷害，背上了一个冤枉的谋杀罪名。在日益紧张的形势之下，Rebecca发现就连自己的接头人也已开始不信任自己。Rebecca决心离开别国回到故乡的土地，却在途中发现了自己本应在20年前死去的父亲David Faulkner，一位冷战时期的间谍，竟然还活着。David已经建立了一个新的身份，并正和一个新的家庭生活着。父亲和女儿，有着截然不同的身份和背景，必须联合解开这一切背后的阴谋。

David Jung, a mysterious former US intelligence operative living in hiding in South Korea, has his life blown to pieces when the consequences of an impossible decision from his past come back to haunt him, and he finds himself hunted by Rebecca, a deadly young assassin, and Caddis, the sinister spy organization she works for.

英国第四频道（Channel 4）电视台已确认开发由制作人阿拉什·阿梅尔（Arash Amel）打造的剧集《蝴蝶》（《Butterfly》），博·奥达尔（Bo Odar）也已确定执导该剧的试播集。该项目改编自阿拉什·阿梅尔原创的漫画书，由阿梅尔和漫画书作者玛格丽特·贝内特（Marguerite Bennett）共同撰写剧本。 《蝴蝶》被描述为一部带有地缘政治元素的悬疑剧，故事背景设定在当代的全球争端之下。女主角丽贝卡·福克纳（Rebecca Faulkner，绰号“蝴蝶”）是一名卧底美国间谍，却遭到陷害，背上了莫须有的谋杀罪名。在局势日益紧张的情况下，丽贝卡发现连自己的接头人都开始不信任她了。丽贝卡决心离开他国，回到自己的祖国，却在途中发现她本应在20年前就已去世的父亲大卫·福克纳（David Faulkner）——一名冷战时期的间谍，居然还活着。大卫已建立了新的身份，和一个新的家庭生活在一起。

With Jam, the TV follow-up to his Radio 1 series Blue Jam, Chris Morris focuses more on unease more than the satire of Brass Eye. Indeed, it's a moot point whether Jam can actually be categorised as comedy at all. Each sketch is steeped in a heavy brine of dark, ambient music (including Bark Psychosis, David Sylvian and Brian Eno), grainy imagery, fast-cut editing and slo-motion. Its mirthless, Kafka-esque scenarios feel like an attempt to morph into some new species of post-comedy that is more like the stuff of nightmares. The credits, in which Morris stalks the moving camera, uttering Lear-esque words of foreboding immediately announce that this "sketch show" is a galaxy apart from The Two Ronnies. 　　The appalled look on actor Kevin Eldon's face in the opening sketch of the series, as a young couple invite him to endure being buggered by a mutual acquaintance ("I need a break"), sets the tone. Rape, chemotherapy, wanton urination--as a naked "Robert Kilroy-Silk" goes insane in a sketch full of detestation for the oleaginous TV presenter--and recurring sketches involving callously authoritarian NHS doctors, all go to make up these annals of the bizarre and perverse. 　　Ultimately, Jam doesn't quite work, not on TV anyway. The repetition of the same, small cast over and over, broken up too briefly by Morris' own appearances (as a "country gentleman" living outside his house, for instance), coupled with the gruelling treatment of the sketch material makes for a psyche-probing, jaw-dropping experience--but in parts also a nullifying and strangely predictable one. Morris's "failures" are far more interesting than most people's successes. --David Stubbs

In a near future Korea, where an "oblivion virus" which causes memory loss has become the centre of a tourist industry aimed at those who wish to forget the past, Anna Kim, a German woman of Korean descent, seeks the virus in order to erase painful memories and, along the way, develops a close bond with her driver and her teenage guide.

In a near future Korea, where an "oblivion virus" which causes memory loss has become the centre of a tourist industry aimed at those who wish to forget the past, Anna Kim, a German woman of Korean descent, seeks the virus in order to erase painful memories and, along the way, develops a close bond with her driver and her teenage guide.

Black Butterfly is about 16 year old Ariel- a girl with a dream. Making the Women's U.S. Swim Team will change her life. Ariel excitedly begins training when... tragedy strikes. She is brutally raped. Her dreams of swimming, relationships, and life are tossed to and fro as she struggles within the aftermath. Should she tell? Should she hide? Adrenaline and anticipation rise as her coach, family and friends find out about the rape in various ways. Now, what will each do to seek revenge? How will they deal with a rapist who is no stranger to their lives? What draws the line between pain and possibility for Ariel? Written by Honee Earth, LLC.

A poetic encounter between a child and a butterfly

Extinction of monarch butterflies in the US became a topic of a film based on manipulation of found footage. The director adjusts archival recordings of butterflies or planes spreading fertilizers through double exposure, scratching, colouring and so don, coming up with a purely visual micro-essay asking who is really the pest and who is the infested in this ecosystem.